Consider this the blog equivalent of several tweets about not really connected subjects. Or a kind of old-style journal blog entry.
Firstly, two observations about culture: 1 – there is a certain generation of Catalan, Valencian and Balearic singing guitar men who are basically just one man. I know they’re technically different people and that their guitar styles vary and that the poetry they sing is of differing quality. But whenever any of them pops up on TV3 (their spiritual home is the short bit about yesterday’s concert that no one went to), I just see the same man. They come from a time when singing in Catalan was protest enough so they didn’t really need to worry about the rest of their politics. Now they strike me as being a deeply conservative and negative influence on the culture: their sub-Cohen witterings are so deeply uncool that we can hardly blame the youth for not wanting to create much protest music during the banking crisis. And 2 – I quite like that Basque comedy show on channel 7.
Yesterday, we watched the Blu-ray edition of Cavalcanti’s propaganda masterpiece, Went The Day Well?. Included on the disc was Yellow Caesar, a short by the same director about Mussolini. This second film was really amusing and effective. I’d love to see the BFI collect all the quality propaganda films it has in its archives and release them on Blu-ray. A few weeks back we watched Zero Dark Thirty, Kathryn Bigelow’s movie about the hunt for Osama bin Laden. Was this really a propaganda film which sought to justify torture? I didn’t really think so. In a sense, I feel that Bigelow was never going to have an easy ride with this film. Had she not mentioned the torture, she’d have quite rightly been accused of convenient forgetfulness. Her last film, The Hurt Locker, was atrociously bad and certainly felt like a work of propaganda. Zero Dark Thirty managed, I thought, to capture some of the fist pumping of America’s 2000s without actually joining in. Or maybe I’m the apologist?
